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If you have not immersed yourself in
wedding photography (yet) this brief
explanation should clarify your
thoughts as you choose your wedding
photographer.
Remember: After your wedding, you
will have several tangible treasures
forever: your rings and your
photographs. When choosing your
wedding photographer, you are
investing not just dollars and
cents, but also your own time (and
your family's) on the wedding day.
That is why you should not settle on
the most economical photographer,
but seek out a skilled image-maker
whose style matches your vision of
your wedding day, one who has an eye
for superb images.
To help you see your way clearly as
you visit photographers, keep in mind
four approaches to wedding
photography: traditional, wedding
photojournalism, illustrative and
creative.
Traditional
photography
Traditional photography includes
portraits of bridal party and family
- close-up and full length - and
candid photographs that tell the
story of the day. This is the style
that suits most couples and their
families. Low-quality traditional
photography is marked by images of
subjects waiting to have their
picture taken, lack of emotion and
connection between subjects and
viewers, and boring lighting.
Good traditional photography
features dramatic or flattering
lighting, positioning of subject
within the environment that makes
sense, and subjects who express by
gesture or expression how they feel
or how they feel about the people
they are posing with.
Wedding
photojournalism
Wedding photojournalism means no
posed photographs - all pictures
would be taken without any
instruction from or awareness of the
photographer.
This style became
popular in the 1990s. Low quality
photojournalism looks like a
collection of good (or poor!)
snapshots done on a wedding day.
Quality photojournalism features
clean images - minimum of
distracting detail unless that
detail adds to the image. If there
are two subjects in the image, the
photographer will be telling you the
relationship between them.
Illustrative
photography
Illustrative photography has drama,
grand poses and majestic scenery.
Every detail in the image is
carefully arranged to produce a
photograph with impact.
Think of
this style as what you would find in
fashion photography - where even the
candid photos are the results of
precise posing and lighting. Look
for impact and story-telling.
A great illustrative image follows
classic design and composition to
propel it beyond a visual record to
a piece of art
Creative
or impressionistic photography
The Creative or impressionistic
photographer creates images with the
unusual angle or juxtaposition.
The
photographer is creating his or her
artistic impression of your wedding
day. The goal is to produce a
limited number of art prints from
your wedding.
At Focus 10, we actually present a
mix of all four of these. This makes
sense: even if you love the
impressionistic approach, your mum
will surely want a touching photo of
the bride and groom and a smiling
picture of mum and dad with their
son or daughter.
The "Wow Print" may
fall into any of these categories -
but don't be misled into thinking
that just because the most
impressive image, i.e., wow print,
you see is in a certain style, that
you want to invest all your wedding
photography in that category. Think
of selecting a restaurant that will
please you, your spouse, your
parents, and your kids (as adults).
A spectacular curry or unique salad
may please you - but may not suit
others, or even you in ten years.
One important responsibility your
photographer has is to provide
images that reflect you and your
wedding, rather than a showcase of
today's trendy photographic styling.
Good photography transcends trends.
When you visit a photographer, ask
to look at sample albums (the same
wedding from first page to last, not
just highlights from a a hodge-podge
of events) and see how well the
photographer has created images in
each of these four categories. The
formals (posed) photographs should
have the subject lit with
directional and flattering light.
You should see a natural sparkle
(catch-light) in the eyes and the
background should not compete with
the subject for attention. Look for
a variety of relaxed and natural
expressions. If there are
photojournalistic shots, see if they
have impact and clarity, or are they
merely snapshots. Ask yourself, "Why
was this picture taken?"
The illustrative photos (with
dramatic posing) should express
ideas about romance and fantasy. The
subject of the photograph should be
a meaningful part of the picture,
not just a bride plopped down on a
rock in front of a bridge. The
creative photographs should be
playful and alive, and complement
the coverage.
Take a look at the sensational
weddings we've covered, our wedding
packages and albums.
We also run
wedding photography courses and pre-
and post bridal couple portfolios to
our clients.
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